30 September 2010

Father Figures - Siya Ayanda Mbuyazi

Father Figures

Nature tells us that from around the age of four, children can tell conclusively the difference between the sexes and will then gradually gravitate towards, associate and copy those of their gender. It is this natural evolvement that leads so many an innocent young boys to that pursuit of the noblest of male-to-male bonds: the father figure.

Naturally and maybe somewhat ideally, this would be the biological father, but then again this is neither an ideal world nor a perfect life so very many have had to make do. Do not get me wrong, I am by no means saying that the absence of this illusive father figure person will, by default, have adverse effects on the grooming and rearing of a young man's life. But indulge me if you will, we man truly are our father's sons.

Spring 1956, my father made his debut on earth in the rural pastures of Dondotha, a vast mountainous land 250kms north of Durban. Unknown to him at the time his very outlook on life would be strongly influenced by another man, a man born just World War 1 came to surprise end, a man raised in what my generation can only call the most primitive of existence. These are the man that would- one directly, the other somewhat indirectly- have a significant influence on my life. Now my inquisitive mind kicks in, can the values of the mid-1920s that shaped my grandfather's life path, sill be found in my subconscious DNA? Exactly how much of what this man taught him, did my father pass down to me? At what cost?

15 September 2010

Sponsored Certificates in Film Making

Big Fish School of Digital Filmmaking, the award-winning film school, is now offering fully sponsored National Certificates in Filmmaking in Cape Town.

The courses are entry level (NQF 4) and intermediate (NQF 5) level and are available to energetic, organized, entrepreneurial, committed, reliable and innovative individuals that are committed to succeed in the Film and TV industry.

The NQF 4 course content includes introduction in directing, cinematography, production management/producing, editing, sound, research and understanding script.

The NQF 5 course objective is to expand on current knowledge, upskilling those who have already proved commitment and passion to the industry and want to specialize in their chosen electives.

Training is project focused, working in all disciplines related to the film industry. Tutoring and mentoring are by South Africa's top leading professionals and using state-of-the-art equipment. At Big Fish we also create simulated and actual workplace experiences for course participants.

DURATION: 34 weeks per course (8 Months)
COURSE START DATES: Mid-January 2011 - Mid-September 2011
TIMES: 09h00 - 16h30, Monday to Friday
COST: Fully Sponsored

DEADLINE FOR APPLICATIONS: 30th November 2010.

APPLICATION CRITERIA:

Applicants are to be available for a 34 week period.

NQF 4 requires Grade 12 and with proof of passion, commitment and interest in the sector.

NQF 5 requires minimum three years experience in the Film and TV sector and/or previous tertiary training or certification in the sector.

Applicants to send their CV as soon as possible to Connie Mosegedi on: mosegedic@bigfish.org.za or for further information call 011 482 5599 or www.bigfish.org.za.

Mappp Seta registration number Bihgh7MAPP08012186


Web site: http://www.bigfish.org.za/

What is POETRY?

ARYAN KAGANOF




poem for andile mngxitama
on the morning of that splendid day of looting
the blacks poured in to gardens wearing
pangas and machettes, cut their way
into melissa’s, and ordered 43 000
flat whites
to go

09 September 2010

African Arts Institute Film-makers Competition

The African Arts Institute and Artists Unite as One Campaign use the arts to fight xenophobia.

On the 24th of September 2010, aspiring young film-makers and concerned individuals will come together on National Heritage Day to view thought-provoking short film pieces that address the current xenophobia crisis gripping our country post-world cup. This showcase will take place at the Labia Theatre, Orange Street, Cape Town and will take the form of a competition, which will be judged on the day of the showing, by professional film gurus and the public at large. The winner will come away with various prizes including a tour to the Cape Town Film Studios in Faure, and be part of the Artists Unite as One Campaign events.

The African Arts Institute, which focuses on building markets for African goods and creative services in South Africa with the added focus of promoting understanding and mutual respect between South Africans and immigrants from other African countries, encourages all aspiring young film-makers to submit their film pieces.


SUBMISSION DEADLINE: 10 September 2010, by 17h00

Submit your powerful films on Xenophobia in South Africa, or related themes around refugees, immigration, tolerance, human rights, conflict and democracy.

20-25min films on CD/DVD to be dropped off at African Arts Institute, 25 Commercial Street, Cape Town.

WIN

Six of the best films will be selected and shown at the Labia Theatre, Orange Street, Cape Town on Heritage day, 24 September 2010. Audience and Judges will vote for the best film and the winner will win various film-related prizes, mentorship programme plus a guided tour to the Cape Town Film Studios in Stellenbosch. The winner will also be automatically entered into Artists Unite as One campaign events which are being featured around the Western Cape to educate communities and heighten awareness around these issues.

VIEW & VOTE on 24 September 2010

Influential members of the South African arts and media community will be attending the showcase at the Labia Theatre, Orange Street, Cape Town, on Heritage Day, 24 September 2010, to view and vote on the best film shown.

JUDGES

This is your opportunity to get your work seen by our judging panel. Judges include representatives from the Durban International Film Festival and The Cape Film Commission/ Documentary Filmmakers Association, among others.

Be sure not to miss out. Stand up and be counted as concerned South Africans and Africans united as one.

For more information or to RSVP to this event, please contact: Patricia Matongo, AFAI showcase project manager at 073 246 3668 or e-mail pmatongo@yahoo.com.

About the African Arts Institute (AFAI)

The African Arts Institute's vision is for a vibrant, dynamic and sustainable African creative sector that contributes to development, human rights and democracy on the continent, and projects African aesthetics and intellectual content into the international arena.

The African Arts Institute also houses the Secretariat of the Arterial Network, a dynamic civil society network of individuals, institutions and funding partners working to support the effectiveness and growth of African arts and culture in civil society.

05 September 2010

I am an AFRI-CAN! Thabo Mbeki

Chairperson,
Esteemed President of the democratic Republic,
Honourable Members of the Constitutional Assembly,
Our distinguished domestic and foreign guests,
Friends,

On an occasion such as this, we should, perhaps, start from the beginning.

So, let me begin.

I am an African.

I owe my being to the hills and the valleys, the mountains and the glades, the rivers, the deserts, the trees, the flowers, the seas and the ever-changing seasons that define the face of our native land.

My body has frozen in our frosts and in our latter day snows. It has thawed in the warmth of our sunshine and melted in the heat of the midday sun. The crack and the rumble of the summer thunders, lashed by startling lightening, have been a cause both of trembling and of hope.

The fragrances of nature have been as pleasant to us as the sight of the wild blooms of the citizens of the veld.

The dramatic shapes of the Drakensberg, the soil-coloured waters of the Lekoa, iGqili noThukela, and the sands of the Kgalagadi, have all been panels of the set on the natural stage on which we act out the foolish deeds of the theatre of our day.

At times, and in fear, I have wondered whether I should concede equal citizenship of our country to the leopard and the lion, the elephant and the springbok, the hyena, the black mamba and the pestilential mosquito.

A human presence among all these, a feature on the face of our native land thus defined, I know that none dare challenge me when I say - I am an African!

I owe my being to the Khoi and the San whose desolate souls haunt the great expanses of the beautiful Cape - they who fell victim to the most merciless genocide our native land has ever seen, they who were the first to lose their lives in the struggle to defend our freedom and dependence and they who, as a people, perished in the result.

Today, as a country, we keep an audible silence about these ancestors of the generations that live, fearful to admit the horror of a former deed, seeking to obliterate from our memories a cruel occurrence which, in its remembering, should teach us not and never to be inhuman again.

I am formed of the migrants who left Europe to find a new home on our native land. Whatever their own actions, they remain still, part of me.

In my veins courses the blood of the Malay slaves who came from the East. Their proud dignity informs my bearing, their culture a part of my essence. The stripes they bore on their bodies from the lash of the slave master are a reminder embossed on my consciousness of what should not be done.

I am the grandchild of the warrior men and women that Hintsa and Sekhukhune led, the patriots that Cetshwayo and Mphephu took to battle, the soldiers Moshoeshoe and Ngungunyane taught never to dishonour the cause of freedom.

My mind and my knowledge of myself is formed by the victories that are the jewels in our African crown, the victories we earned from Isandhlwana to Khartoum, as Ethiopians and as the Ashanti of Ghana, as the Berbers of the desert.

I am the grandchild who lays fresh flowers on the Boer graves at St Helena and the Bahamas, who sees in the mind's eye and suffers the suffering of a simple peasant folk, death, concentration camps, destroyed homesteads, a dream in ruins.

I am the child of Nongqause. I am he who made it possible to trade in the world markets in diamonds, in gold, in the same food for which my stomach yearns.

I come of those who were transported from India and China, whose being resided in the fact, solely, that they were able to provide physical labour, who taught me that we could both be at home and be foreign, who taught me that human existence itself demanded that freedom was a necessary condition for that human existence.

Being part of all these people, and in the knowledge that none dare contest that assertion, I shall claim that - I am an African.

I have seen our country torn asunder as these, all of whom are my people, engaged one another in a titanic battle, the one redress a wrong that had been caused by one to another and the other, to defend the indefensible.

I have seen what happens when one person has superiority of force over another, when the stronger appropriate to themselves the prerogative even to annul the injunction that God created all men and women in His image.

I know what if signifies when race and colour are used to determine who is human and who, sub-human.

I have seen the destruction of all sense of self-esteem, the consequent striving to be what one is not, simply to acquire some of the benefits which those who had improved themselves as masters had ensured that they enjoy.

I have experience of the situation in which race and colour is used to enrich some and impoverish the rest.

I have seen the corruption of minds and souls in the pursuit of an ignoble effort to perpetrate a veritable crime against humanity.

I have seen concrete expression of the denial of the dignity of a human being emanating from the conscious, systemic and systematic oppressive and repressive activities of other human beings.

There the victims parade with no mask to hide the brutish reality - the beggars, the prostitutes, the street children, those who seek solace in substance abuse, those who have to steal to assuage hunger, those who have to lose their sanity because to be sane is to invite pain.

Perhaps the worst among these, who are my people, are those who have learnt to kill for a wage. To these the extent of death is directly proportional to their personal welfare.

And so, like pawns in the service of demented souls, they kill in furtherance of the political violence in KwaZulu-Natal. They murder the innocent in the taxi wars.

They kill slowly or quickly in order to make profits from the illegal trade in narcotics. They are available for hire when husband wants to murder wife and wife, husband.

Among us prowl the products of our immoral and amoral past - killers who have no sense of the worth of human life, rapists who have absolute disdain for the women of our country, animals who would seek to benefit from the vulnerability of the children, the disabled and the old, the rapacious who brook no obstacle in their quest for self-enrichment.

All this I know and know to be true because I am an African!

Because of that, I am also able to state this fundamental truth that I am born of a people who are heroes and heroines.

I am born of a people who would not tolerate oppression.

I am of a nation that would not allow that fear of death, torture, imprisonment, exile or persecution should result in the perpetuation of injustice.

The great masses who are our mother and father will not permit that the behaviour of the few results in the description of our country and people as barbaric.

Patient because history is on their side, these masses do not despair because today the weather is bad. Nor do they turn triumphalist when, tomorrow, the sun shines.

Whatever the circumstances they have lived through and because of that experience, they are determined to define for themselves who they are and who they should be.

We are assembled here today to mark their victory in acquiring and exercising their right to formulate their own definition of what it means to be African.

The constitution whose adoption we celebrate constitutes and unequivocal statement that we refuse to accept that our Africanness shall be defined by our race, colour, gender of historical origins.

It is a firm assertion made by ourselves that South Africa belongs to all who live in it, black and white.

It gives concrete expression to the sentiment we share as Africans, and will defend to the death, that the people shall govern.

It recognises the fact that the dignity of the individual is both an objective which society must pursue, and is a goal which cannot be separated from the material well-being of that individual.

It seeks to create the situation in which all our people shall be free from fear, including the fear of the oppression of one national group by another, the fear of the disempowerment of one social echelon by another, the fear of the use of state power to deny anybody their fundamental human rights and the fear of tyranny.

It aims to open the doors so that those who were disadvantaged can assume their place in society as equals with their fellow human beings without regard to colour, race, gender, age or geographic dispersal.

It provides the opportunity to enable each one and all to state their views, promote them, strive for their implementation in the process of governance without fear that a contrary view will be met with repression.

It creates a law-governed society which shall be inimical to arbitrary rule.

It enables the resolution of conflicts by peaceful means rather than resort to force.

It rejoices in the diversity of our people and creates the space for all of us voluntarily to define ourselves as one people.

As an African, this is an achievement of which I am proud, proud without reservation and proud without any feeling of conceit.

Our sense of elevation at this moment also derives from the fact that this magnificent product is the unique creation of African hands and African minds.

Bit it is also constitutes a tribute to our loss of vanity that we could, despite the temptation to treat ourselves as an exceptional fragment of humanity, draw on the accumulated experience and wisdom of all humankind, to define for ourselves what we want to be.

Together with the best in the world, we too are prone to pettiness, petulance, selfishness and short-sightedness.

But it seems to have happened that we looked at ourselves and said the time had come that we make a super-human effort to be other than human, to respond to the call to create for ourselves a glorious future, to remind ourselves of the Latin saying: Gloria est consequenda - Glory must be sought after!

Today it feels good to be an African.

It feels good that I can stand here as a South African and as a foot soldier of a titanic African army, the African National Congress, to say to all the parties represented here, to the millions who made an input into the processes we are concluding, to our outstanding compatriots who have presided over the birth of our founding document, to the negotiators who pitted their wits one against the other, to the unseen stars who shone unseen as the management and administration of the Constitutional Assembly, the advisers, experts and publicists, to the mass communication media, to our friends across the globe - congratulations and well done!

I am an African.

I am born of the peoples of the continent of Africa.

The pain of the violent conflict that the peoples of Liberia, Somalia, the Sudan, Burundi and Algeria is a pain I also bear.

The dismal shame of poverty, suffering and human degradation of my continent is a blight that we share.

The blight on our happiness that derives from this and from our drift to the periphery of the ordering of human affairs leaves us in a persistent shadow of despair.

This is a savage road to which nobody should be condemned.

This thing that we have done today, in this small corner of a great continent that has contributed so decisively to the evolution of humanity says that Africa reaffirms that she is continuing her rise from the ashes.

Whatever the setbacks of the moment, nothing can stop us now!
Whatever the difficulties, Africa shall be at peace!
However improbable it may sound to the sceptics, Africa will prosper!

Whoever we may be, whatever our immediate interest, however much we carry baggage from our past, however much we have been caught by the fashion of cynicism and loss of faith in the capacity of the people, let us err today and say - nothing can stop us now!

Thank you

The Hall of Fame